Encapsulated in the mere four minutes of GNT is a hyperreal world that pays homage to quirky cartoons of our childhood, but animated into a more vulgar and mature tale about young women in the contemporary age. It is a unique blend of Angela Anaconda, Quinn from Daria, and Tuca & Bertie—but also unique in its own right, with the potential to become a serialised show. It basks and embraces itself in its unabashed satire, discussing vaginal health, Instagram likes, and the extent to which social media can take over our lives.
The director and animator duo of Sara Hirner and Rosemary Vasquez-Brown show a keen affinity for humour and the absurd. They know exactly what existence in the contemporary age entails, and have captured this in such a visually striking and hyperbolic manner. The dynamic friendship between Glenn, Nikki and Tammy is reminiscent of bratty teen shows, but the voice actors are what brings their characterisations to a whole other level. Their graphic style complements their thematic musings and reflects the heavily-stylised cynical Instagram cartoons that are ever growingly popular. The film is animated and brought to life in an absurd manner that pays no attention to typical boundaries of space and gravity, accentuating the warped nature of our experiences.
GNT is a witty reflection on the absurd nature of womanhood in an image culture that is saturated by media messages. Popular culture, social media, consumerism, Instagram politics, marketing, drama and friendships are all equally celebrated and mocked. It is a charming and gloriously fun animation that I want more of, but for now I’ll watch the infomercial for “Rush to Thrush” over and over.
Bonnie,
GNT
Sydney Film Festival
until 21 June 2020